Luca Signorelli

Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.


       Prev  5  6  7  8  9  10   Next
  Prev Artist       Next Artist     

   
    

Luca Signorelli Madonna and Child oil


Madonna and Child
Painting ID::  91775
Madonna and Child
Mid or late 1510s Medium Oil on hardboard transferred from panel Dimensions 155.7 x 135.6 cm cjr
   
   
     

Luca Signorelli Sant Onofrio Altarpiece oil


Sant Onofrio Altarpiece
Painting ID::  94659
Sant Onofrio Altarpiece
1484 Type Finger and paint by number cyf
1484_ Type_Finger_and_paint_by_number_ cyf
   
   
     

Luca Signorelli Virgin Enthroned with Saints oil


Virgin Enthroned with Saints
Painting ID::  94663
Virgin Enthroned with Saints
1491 Type Tempera on panel Dimensions 302 cm x 233 cm (119 in x 92 in) cyf
   
   
     

Luca Signorelli Marriage of the Virgin oil


Marriage of the Virgin
Painting ID::  97267
Marriage of the Virgin
Oil on panel, 21.6 x 48 cm Washington, National Gallery of Art Date about 1490-1491 cyf
   
   
     

       Prev  5  6  7  8  9  10   Next
Prev Artist       Next Artist     

     Luca Signorelli
     Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings